In accordance with the provisions of article 32 of the Law on Intellectual Property, this book presents excerpts from musical works that appear by way of quotation and for the sole purpose of illustrating the pedagogical content of the text. Each one of them is referenced according to its author and title, as well as the film to which it belongs (as they belong in most cases to the soundtrack genre).<\/p>\n\n\n\n
Chapter I<\/a> Chapter II<\/a><\/strong> Chapter III<\/a><\/strong> Chapter IV<\/a><\/strong> Chapter V<\/a><\/strong> Chapter VI<\/a><\/strong> <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" In accordance with the provisions of article 32 of the Law on Intellectual Property, this book presents excerpts from musical works that appear by way of quotation and for the sole purpose of illustrating the pedagogical content of the text. Each one of them is referenced according to its author and title, as well as … <\/p>\n
<\/a>Composition materials<\/strong>
Audio 001 – 067
(p. 17 – 44)<\/em>
Access<\/a><\/p>\n<\/div>\n\n\n\n
Basic techniques<\/strong>
Audio 068 – 113
(p. 45 – 80)<\/em>
Access<\/a><\/p>\n<\/div>\n\n\n\n
Orchestral textures<\/strong>
Audio 114 – 256
(p. 81 – 226)<\/em>
Access<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n
Orchestration by sections<\/strong>
Audio 257 – 424
(p. 227 – 362)<\/em>
Access<\/a><\/p>\n<\/div>\n\n\n\n
Analysis (reference works)<\/strong>
Audio 425 – 488
(p. 363 – 424)<\/em>
Access<\/a><\/p>\n<\/div>\n\n\n\n
Music and drama<\/strong>
Audio 489 – 584
(p. 425 – 510)<\/em>
Access<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n