{"id":780,"date":"2023-10-11T13:13:52","date_gmt":"2023-10-11T11:13:52","guid":{"rendered":"https:\/\/www.boileau-music.com\/composicion-orquestacion-bandas-sonoras\/home\/"},"modified":"2025-02-20T00:20:05","modified_gmt":"2025-02-19T23:20:05","slug":"home","status":"publish","type":"page","link":"https:\/\/www.myscores.es\/composicion-orquestacion-bandas-sonoras\/en\/","title":{"rendered":"Home"},"content":{"rendered":"\n
\n

The indispensable aid for tackling the ambitious and complex discipline of soundtrack composition and orchestration. A compendium of those fundamental questions that every composer should know.<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Composici\u00f3n y orquestaci\u00f3n para bandas sonoras [Composition and orchestration for soundtracks]<\/strong> <\/em>by Llu\u00eds Verg\u00e9s fills a gap in the existing bibliography. Based on the analysis of more than 700 musical examples, it unravels the techniques necessary for the composition and orchestration of the soundtrack. It offers multiple solutions for novice and experienced composers: from the basics of melody construction and harmonisation to the complex path of translating all the material to the symphony orchestra.<\/p>\n\n\n\n

\n
\n

Access to the audios<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

\u2022 More than 700 musical examples<\/strong> in score selected from over 100 film and classical repertoire works
\u2022 More than 500 online audios<\/strong>
\u2022 Prologue by Joan Albert Amarg\u00f3s<\/strong>
\u2022 Recomendaciones de estudio<\/strong>
\u2022 6 chapters<\/strong>
\u2022 Conclusions
\u2022 \u00cdndice de pel\u00edculas y obras
\u2022 Index of composers<\/strong>
\u2022 540 pages<\/strong><\/p>\n\n\n\n

\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n

CHAPTER I<\/strong>
Composition materials<\/strong><\/p>\n\n\n\n

From the analysis of cinematographic melodies and their harmonisation, he shows the technical elements that accompany their creation.
Go to audios Chapter I<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n

CHAPTER II<\/strong>
Basic techniques<\/strong><\/strong><\/p>\n\n\n\n

It unravels the essential harmonic and contrapuntal techniques as a preliminary step to orchestration.
Go to audios Chapter II<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n

CHAPTER I<\/strong>II<\/strong>
Orchestral textures<\/strong><\/strong><\/strong><\/p>\n\n\n\n

Methodological centre of the book, it shows the application of the above in orchestral writing, taking as a reference the orchestral blocks for the creation of textures and their combination.
Go to audios Chapter III<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n

CHAPTER IV<\/strong><\/strong>
Orchestration by sections<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Based on the intrinsic characteristics of each orchestral section (strings, woodwinds, brass, percussion and others), the most common orchestral associations in the language of the soundtrack are specified (either by historical tradition or by expressive and emotional need).
Go to audios Chapter IV<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n

CHAPTER V<\/strong><\/strong>
Analysis (reference works)<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

It relates all of the above to its origin: the reference works that are of inexcusable knowledge for the creation of soundtracks.
Go to audios Chapter V<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n

CHAPTER VI<\/strong><\/strong><\/strong><\/strong>
Music and drama<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

It is the culmination of this treatise. It highlights the importance of pursuing an emotional result in the creation of music for images through two most significant aspects: the harmonic and the instrumental. With regard to the latter, emphasis is placed on an orderly work routine in two orchestration phases.
Go to audios Chapter VI<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
\n

COMPOSICI\u00d3N Y ORQUESTACI\u00d3N PARA BANDAS SONORAS<\/a><\/strong>
Film Scoring<\/em>
Llu\u00eds Verg\u00e9s
<\/strong>(Book in Spanish)<\/p>\n\n\n\n

Code: B.4136
Price: 85 \u20ac
No. of pages: 540
ISBN: 978-84-19715-04-3
ISMN: 979-0-3503-4332-2<\/p>\n\n\n\n

\n
Buy<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The indispensable aid for tackling the ambitious and complex discipline of soundtrack composition and orchestration. A compendium of those fundamental questions that every composer should know. Composici\u00f3n y orquestaci\u00f3n para bandas sonoras [Composition and orchestration for soundtracks] by Llu\u00eds Verg\u00e9s fills a gap in the existing bibliography. Based on the analysis of more than 700 … <\/p>\n

Continue reading “Home”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.myscores.es\/composicion-orquestacion-bandas-sonoras\/en\/wp-json\/wp\/v2\/pages\/780"}],"collection":[{"href":"https:\/\/www.myscores.es\/composicion-orquestacion-bandas-sonoras\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.myscores.es\/composicion-orquestacion-bandas-sonoras\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.myscores.es\/composicion-orquestacion-bandas-sonoras\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.myscores.es\/composicion-orquestacion-bandas-sonoras\/en\/wp-json\/wp\/v2\/comments?post=780"}],"version-history":[{"count":4,"href":"https:\/\/www.myscores.es\/composicion-orquestacion-bandas-sonoras\/en\/wp-json\/wp\/v2\/pages\/780\/revisions"}],"predecessor-version":[{"id":924,"href":"https:\/\/www.myscores.es\/composicion-orquestacion-bandas-sonoras\/en\/wp-json\/wp\/v2\/pages\/780\/revisions\/924"}],"wp:attachment":[{"href":"https:\/\/www.myscores.es\/composicion-orquestacion-bandas-sonoras\/en\/wp-json\/wp\/v2\/media?parent=780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}